Click on an aphid to be transported to a personal relaxing green haven
First in a unique series evolving the landscape photographic triptych format beyond simply one image split into three sections.
Here, three separated portrait mode panels of cropped photographic images are instead derived from an incrementally progressive pan, yet each recognizably related and connecting essentially to the same overall scene, each panel separated by a short time interval.
London Dada artist Dingo at Rye Harbour estuary;
“Putting the Extra in the Ordinary ” TM
” Seeing the Extra in the Ordinary”TM
Forward link to third in the GCZ series; 2017
Water 1, from the Thames Estuary series by Nadav Kander (c) 2015
Portrait mode cropped stills derived from an incrementally progressive pan of the recognizably same scene separated by a small time interval
Showing at Flowers gallery London, Nov 2017
London Dada; ” reorienting art in the 21st C. ”