London Dada Work No. 954; Hirst Copies ( 1 & 2 )


Hirst Copies ( 2 editions )
c. Dingo 2017

Digital collage appropriation Works comprising x 25 panes of marginally differing shades of dog shit brown, based on photograph taken at the opening of the talentless brazen art fraud’s monumental concept theft show “Treasures from the Wreck of the Unbelievable” at Palazzo Grassi gallery, Venice ( until December ’17 )

Come on Fool, buy some Shit ” – Damien Hirst

Signed print edition details tf

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Marking 25 years of shameless plagiarism since Hirst’s dead shark copy breakthrough in 1991 and topped this year by wholesale unmistakable IP copyright infringement of the unique concept & title of London Dada artist Dingo’s 2008 Work  “Loggius Fishious Extraordinarious – an Unbelievable Treasure from the Deep

 

 

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Work 953; Attempted Yellowism


Attempted Yellowism / Everything’s One Under the Sun II
Michael St.Mark 2017


etc..

Links to Everything’s One Under the Sun 1

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Latest News; Damien Hirst in new plagiarism scandal

Work No 952: Slurry Tank Spring ’17


Slurry Tank Spring (2017 update)
Michael St.Mark

A long-term LD project overviewing the gradual rust and decay of a farmer’s abandoned slurry tank, sited just off a country lane passing space / fly tip near South Mimms, Herts.

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Original post from 2010; Slurry Tank Summer

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The headline photograph is available to purchase in a signed limited edition of 20 fine art prints on archival Kodak Pro Endura paper
20″ x 16″
£450 ( unframed )

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Latest News; Damien Hirst in new plagiarism scandal

Work No. 951; Forest / Deforest – the Madness of Mankind II


Forest / Deforest II
Michael St.Mark 2017

Deforested hillsides pave the way for forests of electricity consumer-subsidised turbines. Hundreds of square miles of CO2-reducing trees felled & removed, replaced with debatable CO2-reducing renewables.

South Lanarkshire, Scotland

      Even when all wind farms are producing electricity at full capacity, the coal & gas-fuelled power stations’ furnaces that create the steam pressure that drives the conventional electricity-producing turbines must still be kept burning as backup in readiness to kick in those turbines to ensure the absolutely essential consistent and smooth supply to the grid.
In the face of intermittent and unreliable electricity feed from renewable sources combined with unpredictable surges in public demand, it’s not possible to reduce conventional supply CO2 emissions without going nuclear or there being a breakthrough in electricity storage technology .. without running the risk of regular power cuts ( but try telling that to the SNP 
)

Links to first in the series; Sea Forest / Land Deforest

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Update 22/04/2017

News breaks the day following the above post, that Britain had its first ever coal-free day in terms of the fossil fuel’s contribution to providing electricity to the national grid.
The report mentions that the source of most of the electricity that allowed this to happen is coming from increase in use of natural gas ( also CO2 intensive ) and new so-called renewable bio mass fuels, that largely comprise wood pellets and chippings sourced from waste offcuts and sawdust residues after the felling and milling of trees from forested areas such as these in Scotland.
Far from being CO2 neutral, this new “clean renewable” source is actually found to increase CO2 emissions… in levels greater than burning coal ever did. The stench of corruption is palpable.
You couldn’t make it up, as they say

BBC report

A Quiet Day on the Farm

London Dada Work No. 950; Number Cloud Nine Daydream


Number Cloud Nine Daydream
( Clare in the Community )
Michael St.Mark 2017

Easter mental health issues in Welwyn Garden City, Herts
” Suffer the little children… ”

Links to Work No. 917; Sleep Waker ( also from WGC… )

Work No. 949; Parking is a Frenzied Business


Parking is a Frenzied Business / Gridlock in Angerland II
Michael St.Mark 2017

Battered relic parking meter, Hertsmere
Continuing our theme of unconscious public artworks shaped by mass interactions over time and that echo the human condition in relation to specific everyday activities.

Linked to Works Nos. 715; Money is a Frantic Language ( 2014)
and Work 585; Withdrawal Symptoms / Cashpoint Blues ( 2012 )

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Work No. 948; Sodium Sun ( I & II )



Sodium Sun 1 & 2
Michael St.Mark 2017

Daytime on sodium vapour street light; St. Albans > South Mimms road, Hertfordshire.

For anoraks interested in the technical intricacies and history of the sodium-based street lamp, here’s the infotainment

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Sodium Sun ( versions 1 and/or II ) are available to purchase in signed editions of 25 each as Lightjet prints on Kodak Pro Endura paper
24″ x 16″

£450 ( unframed )

LONDON DADA
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